Today for Writing Club we wrote to smells. I brought two different spices to the Skybox, one brown, one red, and we were all challenged to come up with four words to describe each spice. Then, we were to write three places, people or things the spice reminded us of. All the while attempting to stray way from "traditional" cooking and baking words. Once the descriptors were all complied we shared them. Brittany reminded us all that smell is the sense most evocative of memories. I think we all found that our pieces were ripe with many different types of memory, both personal and cultural, as well conscious and subconscious. Here are a few samples. The first is by Sumara, Sammi Baig, a freshman at Lake Forest College and the second by myself. More to come.
Sammi's Spice Piece:
The two women spoke in harsh Arabic.
“Yalla! Yalla!”
She tugged my hair, the other tugged harder. One had my fingers; smoothing them, roughing them, buffing them. Clipping out the parts unliked.
The ceiling light emanated a dusty brown hue from which a ray of light thickened by dirt danced; limited by its thin ballroom.
“La, la, khamsa” spits out the one whose hands are cleverly entwined in my hair. Her accomplice picks out the fifth bottle of polish from the shelf; a smoky red, as if the sun was set on fire and all that was left was ash.
I look over at my sister, who flips through a magazine as her mouth sloshes around gum that has been drained of all its candy sweet taste.
Kaisa Cumming's Spice Piece:
Remember feet held close to the fireplace and how the skin tingles as
it creeps back to the bone as you creep up the cold stairs to bed.
Remember the quilt made with two hands twenty years ago by a little
old lady with winter hands or maybe it was a little old lover with
dainty, fairy hands who pricked her winter fingers so many times you
think you might be able to smell blood in the
fibers--but that's romantic, right?
Remember the warmth of Novemeber sun. You can see ghosts come out
your mouth in clouds that never last.
And remember the Indian medicine woman holding her crooked bones in
the crooked door way and the crooked-legged dog with cloudy eyes and
the way the song she sang when you had the fever of a fire-warmed
cabin inside you cracked around the
edges of her mouth.
Alex Andorfer's Piece
traveled south every summer
- ironically, to the state I live in now -
looming over the Sound
a mile's walk above the ocean
our collective society stood seven days of june.
i stayed in the middle room,
in the middle of the house,
the very middle of the Sound.
a ladder took you up there
to my room (the middle one)
to my bed
that's when bunks weren't associated with
dorm rooms
cramped living
the inability to get you laid.
the breeze carried my innocence and
Sound
sand
through the society
the innocence and Sound to everyone's pleasure
the sand less so
Caravanning neighbors
enthralled with the Sound.
My spice piece (oddly similar to Urrea's talk later that night)
They called our mothers
when we didn’t have a water bottle at school--
rung through telephone wires
the way this clay
feels when the sky refuses to open
we fall
we fall
after the water jug they told us to carry
drained eighteen hours ago
and the urine stopped running too
fell into a cyan green
plant our faces in the colony,
like an animal god that smells after rain.
like an animal god that smells after rain.
we ask in the city
didn’t anyone ever tell us how much
water to bring on a desert walk?
didn’t anyone ever tell us how much
water to bring on a desert walk?
because our bottles hang in holsters on our hips.
we may think we are the suncrowned rooster
but the flint of our every step
ignites and mummifies the cold cut pollo we are:
found
like an newborn artifact
one lime green shoe
still left on
The line in Sammi's piece, "The ceiling light emanated a dusty brown hue from which a ray of light thickened by dirt danced; limited by its thin ballroom," is particularly gorgeous. The idea that light can be an illuminating ballroom for the "unseen," took my breath away.
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